Above: A selected few images from my recent work, below in my post I have linked to the full galleries.
It’s been a busy six weeks. I’ve been on half a dozen separate trips, as many shoots, all while balancing the holidays and heading back to Missouri to work with POYi. Seasonal illness laid me down for over a week, which added to the backlog of posting.
In December I published my Southwest Chief story, chronicling 48 hours on Amtrak’s Southwest Chief from Kansas City to Los Angeles. Rail travel in the United States is a shadow of its former self, with lower ridership outside of the New England corridor. Amtrak uses freight rails today in the American West and the ride is bumpy and slow. You don’t go on the train for the efficiency, – it’s all about the experience. Meeting fellow passengers, etc., is what makes the difference.
Once in California I headed up to Death Valley and the Southern Nevada desert for a few days to camp and spend time in the National Park. With moderate winter temperature and a new Moon, the night photography was excellent and it was great to get off the grid for a while.
I continued to work on meeting with sources for my Salton Sea thesis project, which is slated for completed and exhibition in Fall of 2013, stay tuned. When in Imperial County I stopped by Salvation Mountain of Into the Wild fame and sadly learned that Leonard Knight is in a nursing home and probably won’t be returning to the mountain. You can see my images from the day, the full story, and some older portraits in my Salvation Mountain gallery.
After Death Valley I worked with the Catalina Island Conservancy for a day on the island photographing a chartered Jeep Tour, with proceeds funding various Conservancy operations. I spotted and photographed a Catalina Island Fox, an endangered subspecies that the Conservancy is now saving. A beautiful day in a rugged and remote place to be sure. I look forward to working with the CIC in the future on additional work promoting their mission in such a wonderful place. I posted a gallery of images that are more landscape than promotional edits.
Keep an eye out for images with the Nikon 24mm 3.5 PC-E lens. It’s a fantastic tool for making panoramas and getting landscapes sharp from a few feet to infinity. It certainly proved its worth in Joshua tree and beyond. Once the weather warms up in Central Missouri I look forward to producing a landscape series with it around the Missouri River and Boone County.
Also, make sure to take a look at the gallery section of the site, under Places. I am now up to about 25 galleries I places Ive visited and explored over the years. The destinations are domestic and international, and are a mixture of journalism and travel/landscape photography. Some of the galleries are still under construction and will be populated as I finish migrating my 4 Terabytes of archives. It is crazy to think that I was 14 when I got my first digital camera, and I am 23 now. Technically, thats almost a decade of photographing! Whew, and its just beginning.
In the mean time, my colleagues and I are hunkered down processing entries for POYi, or Pictures of the Year International. We have about 1,500 entrants, and were going through each an every image to make sure they are within contest guidelines. This year Hipstamatic is reigning as the new entry, after New York Times Photographer Damon Winters won an award last year for his candid iPhone-tography of soldiers in Iraq. Ill be honest and say the iPhone imagery this year are all copycats that don’t meet the bar. That’s just my opinion though, stay tuned to the Reynolds Journalism Institute in Mid-February for what the judges think.